C: (ex. #1234C)
A very rich decoration that combines brilliant traditional colours, according to the ancient "Capodimonte" style, interpreted with renewed vigour and originality. The details are handled with great precision, attaining a high level of realism and increasing the expressiveness of any sculpture.

E: (ex. #1234E)
The peculiarity of this finish lies in the careful combination of colours that have been used to create new and original models. Special effects have been achieved through particular painting techniques with a very high artistic content.

P: (ex. #1234P)
Distributed in clean but delicate tones, the colours tend to emphasize the elements that determine the characters of these sculptures. This finish creates a dimension of precious refinement, in which the brushstroke is perfectly balanced with the profile of the sculpture, without ever overwhelming it.

S: (ex. #1234S)
This finish is used mainly for the decoration of animals and is obtained through a careful and accurate study of the chromatic variations found in nature. The colours are laid on with the greatest respect for the real models and faithfully reflect the characteristics of the animals in their natural habitat.

F: (ex. #1234F)
The prevailing white tones joined to soft and delicate contrasts are the distinctive features of this finish. The subjects are rendered less "dramatic" and look as if they were immersed in a romantic atmosphere. Generally speaking the flesh plus key elements of the figurine are painted.

T: (ex. #1234T)
The "Terracotta" finish is based on the clay so characteristic of the the soil and landscape in Tuscany. Grey in its natural state, it becomes a warm red when fired at high temperature. Thus terracotta and its distinctive colour are symbols of a unique land and have been used to create innumerable works of art ever since the dawn of humanity.

M: (ex. #1234M)
This decoration reproduces the characteristics of bronze, enriched by the insertion of coloured enamels and special patinas. It is particularly suited to bringing out the "statuesque" quality of the sculpture, creating an atmosphere of absolute imperishability.

A: (ex. #1234A)
The immaculate white surfaces enhance the real essence of the sculpture. This finish generates a direct communication between the hands of the sculptor and the viewer, revealing the "soul" of each and every sculpture.

B: (ex. #1234B)
In this finish the colour tones of the faces are associated with the other parts of the sculpture, bringing to a very delicate and evocative chromatic result.